
Gently Green	Great Design	What I love	Nantucket Life	Please Join Me	Healthy Stuff

What I Love with Trudy Dujardin, FASID, LEED AP

Serendipity!

Posted on June 23, 2015 by Trudy Dujardin, FASID, Leed AP

What does Serendipity mean to you? It’s most often the occurrence of events by chance in a happy or fortunate way. That certainly describes my pleasure in meeting the Home Editor of Serendipity Magazine, Stephanie Horton, and her wonderful feature on a home I designed not once but twice on Nantucket Island. It’s in the June 2015 issue!

If you can pick up a copy of the magazine, I encourage you to do so.

If not, I tell the story here of the house that was moved from its precarious location on a bluff three times to save it from the rapidly encroaching sea. Island erosion can be dangerous to homes, but this beautiful Edwardian-era house was successfully moved and brought back to new life.

Take a closer look!

Every Room Has a Beginning

Posted on January 28, 2015 by Trudy Dujardin, FASID, Leed AP

Have you ever walked into a room and wondered where to begin? Interior designers face this question all the time. There’s always a starting point, a moment of inspiration. It may be the window with the stunning view and the way the sunlight slants into the room, or a family heirloom or painting that helps define colors and style.

In this case, the entire house we’d first designed and completed in 1995 was picked up and moved across Nantucket Island. Erosion on Sconset Bluff had caused the home to be moved from its precarious position first in 2008, and again only a few years later.

When the house was carefully set down again in its new location facing Nantucket Harbor, it was time to take a new look at the Edwardian-era home. The owners still loved what we created almost 20 years earlier, but wanted an updated version, while still retaining their favorite pieces from the original design. As part of the design process, my team and I began with detailed scaled drawings that showed our concept of the space.

In the living room, the owners loved the custom rug in their favorite colors, with a floral pattern reminiscent of their beloved gardens. The decision to keep the rug I designed in 1994 set the stage for everything that followed. Besides the “green” ideal of re-using existing pieces, it is so rewarding when a client loves what you created so much that they want to keep the feel of the original design from years ago.

Renderings are particularly helpful with long-distance clients. A board was sent to the owners detailing the fabrics, the carpet runners and the faux paint wall treatments. The colors were updated. Celestial blue and white blended with soft touches of buttery yellow would make the home as inviting as a summer sky. The designs, though traditional, were clean lined and reflected the simpler tastes of the 21st century.

Fabrics for the living room were sent for approval, along with the design for window treatment. An up-to-date tailored valance with panels replaced the floral English country house look. Both panels and valance were accented with a custom trim we created from a striped fabric.

We also retained most of the original furnishings, which were reupholstered with new fabrics. The chairs were redone in indoor/outdoor fabric, with cording and tape trim for a touch of detail.

Options for additional pieces of furniture were proposed for the living room. From the pieces submitted, the clients chose two conversation groups and a game table area to be placed by the windows.

An artist created the unique wall treatment, with stenciled shells accenting important architectural features. The shell pattern related the home to the harbor and the sea beyond. The Blue Willow patterned fabric on the sofa pillows recalled Nantucket history and the days when sea captains brought back gifts of Chinese Export porcelain.

In just ten months, we managed a comprehensive house redesign, incorporating favorite pieces from the original home and seamlessly blending them into a sophisticated, 21st century style for an expanding family of parents, grown children, new in-laws, and grandchildren. From a two- to three-month planning and selection phase to a six- to seven-month ordering and implementation phase, we completely redesigned a house with four floors and seven bedrooms.

It was an amazing amount of work in a short time frame, but the clients were happy with every single detail of their new home, and so were we.

My Whirlwind Book Tour

Posted on October 21, 2014 by Trudy Dujardin, FASID, Leed AP

It’s hard to pick the best part of the experience of writing and launching a book, but the chance to meet so many wonderful people, see my many dear friends, and share my message of sustainable design and green living has been very rewarding! Comfort Zone: Creating the Eco-Elegant Interior was first introduced on Nantucket, and then we were off to Boston and New York! Join me for a look back at the friends who opened their doors to me and have helped to make Comfort Zone a success!

First stop: 26 Main Street, Nantucket, at Quidley and Co.! A beautiful summer evening brought friends, visitors, wine, and hors d’ouevres together for a festive introduction for Comfort Zone!

A big thank you to Chris Quidley for hosting our first party. Here he is with Dujardin Design’s Sondy Rexford and Price Connors.

Next stop: 54 Main Street, Nantucket, and Mitchell’s Book Corner! This is where I gave my very first talk about what it was like to write Comfort Zone, and all the information inside!

I explained to my guests at Mitchell’s that Comfort Zone could just be read as a beautiful design book, with more than 350 color photographs, or readers could drill down deeper and really learn about sustainable design.

Then it was on to One Chestnut Street, Nantucket, and the beautiful Flowers on Chestnut.

Comfort Zone and I were warmly welcomed by shop owner Michael Molinar.

My longtime friend, renowned marine artist Michael Keane stopped by to see us. Here we are with my dad, (and my biggest fan), Robert Stefanov. For a look at Michael Keane’s incredible talent, see my blog post The Sea-Worthy Artwork of Michael Keane.

We couldn’t launch a book without a stop to see our friends Ken and Deborah Withrow at the Union Street Inn. We’ve been entrusted with designing the inn’s historic common areas and guest rooms twice. It was a beautiful day to enjoy the inn’s back patio. Here I am with Ken!

Before we knew it, it was September, and I was scheduled to appear at What’s New, What’s Next? at the New York Design Center, 200 Lex. This time I was welcomed at Calger Lighting, where Carmella Califano had arranged wine and hors d’ouevres (and some amazing brownies!) for all our guests that day.

My husband, Frank Fasanella, is always there to support me (even taking care of business from our book tour!) Here I am with Calger’s Carmella Califano.

Up for the drive to Boston, anyone? Come along for my panel discussion at the Boston Design Center!

Kyle Hoepner of New England Home Magazine moderated a panel on sustainable architecture and design. I was joined by John R. DaSilva, AIA, of Polhemus Savery DaSilva, and Susan Brisk, a kitchen and bath designer and a faculty member at Boston Architectural College. The morning was sponsored by EcoModern Design and Cosentino. Eco-Modern’s David Sanborn and Cosentino’s Merry Leclerc joined us in this photo.

A book signing followed at EcoModern Design’s showroom. They put out a delicious spread of appetizers to welcome our guests. A big thank you to David Sanborne and the staff at EcoModern!

Then it was back to Connecticut, and a visit to Fairfield University’s bookstore on Post Road in Fairfield.

Many of the university’s design students attended and we had a lively discussion on sustainable design.

My thanks to Elizabeth Hastings for arranging such a lovely evening. Here I am with Rob Hardy, the director of Interior Design programs at Fairfield University.

No time to rest yet! Next on the schedule: a panel discussion on why antiques are the ultimate in green. Hosted by de Le Cuona during Fall Market at the Decoration and Design Building in New York, Creating an Eco-Elegant Interior was the topic for moderator Kerry Howard, who led the discussion. My co-panelist was The Antiques Diva, Toma Clark Haines. I wish you all could have been there!

Finally, the fabulous New York launch of Comfort Zone! Hosted by the gracious Stark family at Stark Carpet, we threw ourselves a wonderful fete, with Prosecco and wine, delicious bites and sparkling conversation. It was truly the celebration of the year!

Our hosts for the evening: John and Chad Stark. My deepest appreciation for their warm support and beautiful showroom!

Lots of books…

and lots of signing!

The party in full swing!

It was truly an elegant and very special evening.

And on October 20, here we are at Currey and Co. in High Point, North Carolina. On the right is company owner Bob Currey with his poodle companion, Reeves. My deepest thanks to everyone who worked so hard to make this tour possible!

Creating Comfort Zone

Posted on October 21, 2014 by Trudy Dujardin, FASID, Leed AP

Why write a book?

Writing Comfort Zone: Creating the Eco-Elegant Interior, the book that capsulizes my design work over the past decades and that shares my message on the importance of sustainable design and living, has been one of the most rewarding periods in my career. It has also been one of the most demanding, when combined with a busy professional and personal life!

At an installation on Nantucket with Senior Designer Price Connors

Here’s why I did it: I have a story to tell. Part of my story is about the importance of creating a home that is a place where we can rest and restore ourselves, a place of comfort. Part of my story is about the importance of surrounding ourselves with beauty, because beauty elevates our hearts and minds. Beautiful, high-style design is intended to both soothe and inspire.

Rooms in a home are not merely functional. When properly appointed, our home’s interiors provide a true background for all the important moments of our lives. How an interior designer assembles a room, piece by piece, is always unique to the individual, and combines the best training, background and experience, our own vision and feeling for a home, and the client’s dreams.

Comfort Zone is a peek behind the curtain: a look at the process, and the results!

And part of my story, a very large part, is about my belief that having the best means doing the best, for our homes, our health, and the environment.

As a LEED Accredited Professional with a specialty in Interior Design and Construction, a public speaker at environmental forums, as well as an adjunct professor at Fairfield University, a large part of my career has been devoted to educating clients, students and friends about the importance of living “green.” I agree with the wisdom of author Rita Mae Brown, who said, “I believe you are your work. Don’t trade the stuff of your life, time, for nothing more than dollars. That’s a rotten bargain.”

Comfort Zone shares my knowledge about how to create a healthy home, knowledge I’ve accumulated over a lifetime. There is a wealth of information, including step by step plans for renovating your own home sustainably. You can read it to find out more about why antique furniture is a surprisingly eco-friendly addition to your home, or why you should consider No-VOC paints, organic wool carpets and FSC-certified woods. You can learn how to make a home lightly green, moderately green, or deeply green. You can read it simply as a beautiful design book, but all the information is there to help you live more healthfully.

Perhaps the most valuable page or two is a directory of green products and services, my carefully vetted list of sustainable resources. An up-to-the-minute feature is an app called Layar, interactive print technology that adds a touch of magic. By downloading the Layar app to your smart phone or tablet, you can hover above any of six pages in the book and Layar will take you to additional on-line information. That information that will be updated regularly so that you will always have access to the latest ideas, products and thoughts on eco-elegant living.

Of course Comfort Zone was created using acid -free, FSC-certified cotton cloth covers and interior vellums, and printed with vegetable-based ink from renewable sources. Next month’s posts will describe more about my trip to Venice to oversee the latest in eco-responsible printing processes there.

Last, the book itself was designed to be a lovely piece of art. Book designer Stafford Cliff, part of the wonderful team at Pointed Leaf Press, publishers of Comfort Zone, brought my ideas to life with his intuitive understanding of my work, and my passion for the earth.

He and the very talented Dominick Santise produced the stunning end papers, vellums, and details that make Comfort Zone the treasure that it is. I will always be grateful for the way their hearts and hands contributed to this work.

A famous American architect, Daniel Burnham, said, “Make no little plans; they have no magic to stir men’s blood…Make big plans; aim high in hope and work.” I have aimed high in hope and work with Comfort Zone. I want you to aim high in hope and work in making your home a healthy sanctuary for yourselves, your families, your pets and your friends.

Because A Healthy Home is the Ultimate Luxury. (TM)

Comfort Zone: Creating the Eco-Elegant Interior is available online at Amazon, at Barnes and Noble, or through Pointed Leaf Press. You can also find it at your own local book store, or ask to have it ordered there.

Happy reading!

Bring Summer and the Seaside In

Posted on May 22, 2014 by Trudy Dujardin, FASID, Leed AP

It’s May, and many people are heading for their summer homes, ready for long, lazy days in sun and sand. You don’t need a vacation home to make your house summer-ready, though. Try some of these ideas for bringing summer and the seaside in!

Use light-colored, indoor/outdoor fabrics and wicker or rattan furniture to add a summery feel to your rooms. Indoor/outdoor fabrics also make for a more relaxed environment, as clean up is a breeze.

An artfully placed starfish or shell says you love the beach! Painted white furniture and light colored fabrics are another warm-weather touch.

Nautical prints or paintings of boats, water and ocean beaches are a window to the world you love.

Slip into the garden early in the morning when the grass is still cool beneath your feet, and cut a few fresh flowers for a small vase on your bedside table. You’ll love falling asleep with the light fragrance of blossoms to scent your dreams.

A light, bright room always feels summery. Change your bedding to an all-white coverlet, toss a brightly colored throw onto the end of the bed, and stack clean white birch logs in the fireplace.

Add texture and interest with natural rugs underfoot, such as sisal, hemp, jute or seagrass. Plant fiber rugs are sustainably harvested, renewable, and biodegradable, an added bonus to their beauty!

Finally, celebrate summer’s beauty by making a pledge to help protect America’s waterways and all the creatures who depend on them for their lives. Visit the Natural Wildlife Federation to learn how you can help.

“Rest is not idleness, and to lie sometimes on the grass under trees on a summer’s day, listening to the murmur of the water, or watching the clouds float across the sky, is by no means a waste of time.” –John Lubbock, The Use of Life

My Seaside Inspiration

Posted on February 18, 2014 by Trudy Dujardin, FASID, Leed AP

My life on two coastlines (Long Island Sound in Connecticut, and Nantucket Island) inspires my design work in a very personal way. I have always been drawn to the colors of sand, sea, sky and sails. As I walk the beaches near my homes, I see exquisitely colored shells, small sea animals and picturesque harbors, all of which find their way into the interiors I create . Let me show you my seaside inspiration.

“I felt the full breadth and depth of the ocean around the sphere of the earth, back billions of years to the beginning of life, across all the passing lives and deaths, the endless waves of swimming joy and quiet losses of exquisite creatures with fins and fronds, tentacles and wings, colorful and transparent, tiny and huge, coming and going. There is nothing the ocean has not seen.”–Sally Andrew

On Safer Ground in Nantucket Today

Posted on August 6, 2013 by Trudy Dujardin, FASID, Leed AP

The August 2013 issue of Nantucket Today features a Dujardin-designed home with a unique story: this beautiful Edwardian-era residence was saved not once, but twice, from the perils of the sea. Built in 1908 on the sandy ground of Sconset Bluff on Nantucket, fierce storms and pounding waves in recent years have eroded the fragile shore, placing the house in danger of being swept out to sea.

The owners of this elegant home first shifted it farther inland in 2006, but it wasn’t far enough. The second move for the house was cross-island to Monomoy in 2010, where the house now watches the waves in the harbor from a safe distance. With the sea no longer a too-close neighbor, spectacular gardens have been planted outside with massive hedges, and organic vegetable and fruit gardens instead of sandy paths.

I first designed this home in 1996, so there’s an odd sense of deja vu for me as I walk through these rooms. An updated family room, breakfast room and kitchen replaced a maze of rooms that once was the servant’s wing.

The world of 1908 is still in evidence in the house, recalled by the back servants’ stairs and the original call box with bells for the library, the guest rooms, and the original owners of the house, Mr. and Mrs. Dustin.

As befits a home that has lasted for generations, there is a beguiling mix of ages throughout. In the entry, a 19th Century gilt mirror adds a touch of grandeur, arching over 21st Century whale art in handblown glass by Raven Skyriver.

An enfilade of rooms opens one upon the other, offering tantalizing glimpses of subtle blues and yellow, creams and whites, richly finished wood floors and plush rugs underfoot. Dignified antiques add a decorous note to airy spaces.

There’s a ribbon of soft color that runs through the house; shades of bluebells and buttercups wrap the rooms in tranquil tones that lit spirits on even the foggiest days.

The home’s original setting on Sconset Bluff is honored in an oil painting that hangs over the living room mantel, a reminder of those more precarious days.

Just as the house itself has had its second, and third, chance at life, many of the well-loved pieces throughout the home were reupholstered for their own second chance. The homeowners’ unique stories are told here, too. The 1840’s breakfront in the dining room is home to a collection of heirloom china teacups, given to the wife’s mother at her wedding shower. Each guest arrived with a different teacup, creating a charmingly mismatched set that has been treasured for years.

In the master bedroom, an elaborately carved 19th Century bed from the West Indies blends effortlessly with contemporary lamps and white lacquered night tables. There, seaglass colors soothe both body and mind.

Nantucket residents know our island is a fragile place. Climate change and stronger storms continue to buffet our shores, creating an uncertain future for seaside homes, wherever they face the waves. In this house by the harbor, the owners have surely done their duty by their home, lovingly preserving it for years to come.

All photography courtesy of Jeffrey Allen; visit his website here.

A Nantucket Beach Nest

Posted on June 6, 2013 by Trudy Dujardin, FASID, Leed AP

The June 2013 issue of Connecticut Cottages & Gardens Magazine features a new Dujardin-designed home on Nantucket! Written by Jamie Marshall and photographed by longtime Dujardin friend Terry Pommet, the home is beautifully presented beginning on page 64.

We created interiors with bright splashes of blue and Hermes orange in this six-bedroom, shingle -style cottage for a young family with two teenage daughters. A short fifteen-minute walk to town, the new home was customized by Dujardin Design Associates from the studs up, including exquisite details such as the wood floor in the entry hall with its hand-painted Harlequin pattern. The rattan-wrapped dresser and table in the foyer are meant to evoke the Breakers in Palm Beach, circa 1950s.

Senior Designer Price Connors created custom built-ins and mahogany topped cabinets for easy storage throughout the home, including hideaway space in the bright and airy bedrooms.

The color palette is crisp and clean, with most walls painted white or ivory with bright white trim. We added interest with pops of color, such as this nautical rope border!

Color continues into all the bedrooms, including this lilac-themed room!

And this blue beauty!

Signature colors were added to the kitchen with stools and bistro chairs handwoven in France.

There’s an oriental influence in the dining room, with a pagoda-shaped tole chandelier above the glass dining table. Gothic backed rattan dining chairs and a rattan bar cart add a classic touch.

The patio and garden continue the colorful palette, offering another glorious space to enjoy summer on Nantucket.

In the Days of Sailors and Scrimshaw

Posted on May 2, 2013 by Trudy Dujardin, FASID, Leed AP

Scrimshaw is the beautiful art form first practiced beginning in 1749, in the days of whaling ships, wizened sea captains and hardy sailors. Whaling was a dangerous undertaking and could never be attempted at night, leaving sailors with free time on their hands. They used it for carving elaborate pictures, lettering and scrollwork on the bones and teeth of sperm whales and the tusks of walruses and other marine animals. The work they left behind is a treasured collectible today. The extremely rare white tortoiseshell shown above is an early nineteenth century British scrimshaw, displayed in my home in Madaket. The whaler’s handwork details ships, whales and equipment used in the seafaring life.

antique scrimshaw poker chips

John F. Kennedy was an avid scrimshaw collector, and brought it back into fashion when he displayed his 37 piece collection in the oval office in the 1960s. Today scrimshaw artists (called scrimshanders) can work with eco-friendly or man-made materials, including cow bones, antlers and ostrich eggs.

This 18th Century scrimshaw is carved from a whale tooth.

It’s impossible to write about the beauty of scrimshaw, though, without first acknowledging the damage being done to tusked animals today by poaching. Where once a ship would set sail with its sights on a whale, and then use every part of the animal for meat, energy and art, there was not an understanding that the seas were a finite resource.

A sea turtle was once plentiful enough that the people of the 18th and 19th centuries could hardly imagine that that creature or any other would be endangered, and in need of protection. Today, though, we are seeing a rapid decline of animals with tusks and horns, often slaughtered for just those parts of their anatomy and left to decompose. Although antique scrimshaw is available for purchase and collecting, strict laws are now in place for animal protection. Elephant ivory has been protected since 1976, and is prohibited from being shipped into the United States or practically any other country in the world.

Poaching continues, however. Rhinos are a threatened animal, under siege for their horns, used in Chinese medicine and particularly sought after in Vietnam. Consumers use ground rhino powder as a health aid, although there is no supporting evidence that it has any impact. Poachers killed 668 rhinos in South Africa in 2012, a 50% increase over the previous year. The World Wildlife Fund estimates another 800 rhinos will die in 2013. To protect them, wildlife managers are injecting the horns of live rhinos with poison and permanent pink dye to make them useless to poachers. Although the poison is not fatal, it will make anyone who consumes the powdered rhino horn ill with nausea and diarrhea.

Anna Merz, who died on April 4, 2013 in South Africa, started a reserve to protect her beloved black rhinos and became a global leader in the fight against their extinction. She is shown in the photo above with the rhino she hand-raised as an orphaned baby, Samia. Samia was devoted to Merz, and followed her everywhere, even trying to enter the house behind her before becoming stuck in the doorway. When Samia gave birth to babies, she presented them to Merz like any proud mother.

Anti-poaching campaigns are underway worldwide, but more attention is needed to protect the earth’s precious resources. Learn more about how you can help from The African Conservancy, World Wildlife Fund, or Stop Rhino Poaching.

“I Send Thee a Shell from the Ocean-Beach”

Posted on August 29, 2012 by Trudy Dujardin, FASID, Leed AP

Clients often ask me where I get my inspiration for the colors and textures for the rooms I design. The world outside my door is a constant source of inspiration, especially the sea. (Read an earlier post on my color inspiration here.) I also love to read, and my library is full of beautifully illustrated books that fill my hands and my heart when I can’t be on my beloved Nantucket.

It’s no secret that I have always loved seashells; the logo for my company is a Nautilus shell, a beautiful example of what is called a golden spiral (also known as a logarithmic spiral). Choosing the Nautilus shell was not accidental: it perfectly represents a profession where proportion and balance are key to achieving a pleasing design. We may not need to understand the science behind a masterfully (and mathematically) balanced design, but we are naturally drawn to elegant and balanced compositions, repeatedly found in nature.

This is a close-up photograph of a spiral palm leaf.

The concept of what makes the proportions of the chambers of a Nautilus shell so beautiful is explained by something called The Fibronacci series, often referred to as nature’s numbering system. It is displayed to perfect effect in the bracts of a pinecone, the heart of a sunflower, the scales of a pineapple, a grain of wheat, a hive of bees, the spiral palm, and even in the proportions of the human body. Leonardo Da Vinci portrayed this concept with his sketch of Vitruvian Man.

Many architects and artists have proportioned their work according to geometric principles known as the golden rectangle, the golden mean and the golden ratio, aesthetically pleasing proportions found over and over again in nature, in stems of plants and veins in leaves, and of course, in seashells such as the Nautilus.

In a golden rectangle, the smaller rectangle is the same shape as the larger rectangle, in other words, their sides are proportional. The curved design of the chambered nautilus shell and the ratios between each of the spirals reveal the fascinating connection between nature, geometry and architecture. Read more here.

Each single shell represents the world of nature’s intricate and mysterious designs, and is a work of art in itself. It is no wonder their shapes are frequently mirrored in our homes and lasting pieces of architecture.

I frequently place shells where they can be seen and admired, especially in beachside homes. In case you’re looking for a little inspiration yourself, here are two seashell books you might find on my coffee table if you were to visit:

The World’s Most Beautiful Seashells won the Coffee Table Book Award of the National Association of Independent Publishers for 1996. Filled with stunning pictures by photographer James H. (Pete) Carmichael, who is especially well-known for his work with shells, butterflies, and rainforests, the wonderfully-written text is by Leonard Hill, a lifetime shell enthusiast, and a biologist employed by the US government who monitors the health of the oceans.

If you’ve ever come home from the beach with a pocket full of seashells, then this book was written just for you! Written by Marlene Hurley Marshall, it’s filled with inspiring ideas of all the wonderful things you can do with your beachy treasures. Frames, chandeliers, boxes, mirrors: they can all be enhanced with memories of your time spent seaside.

“I send thee a shell from the ocean-beach;
But listen thou well, for my shell hath speech.
Hold to thine ear
And plain thou’lt hear
Tales of ships.”

Source, Listening to seashells

Charles Henry Webb, With a Nantucket Shell, reported in Bartlett’s Familiar Quotations, 10th ed. (1919).