A Nantucket Beach Nest

beach nest

The June 2013 issue of Connecticut Cottages & Gardens Magazine  features a new Dujardin-designed home on Nantucket!  Written by Jamie Marshall and photographed by longtime Dujardin friend Terry Pommet, the home is beautifully presented beginning on page 64.

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We created interiors with bright splashes of blue and Hermes orange in this six-bedroom, shingle -style cottage for a young family with two teenage daughters.  A short fifteen-minute walk to town, the new home was customized by Dujardin Design Associates from the studs up, including exquisite details such as the wood floor in the entry hall with its hand-painted Harlequin pattern. The rattan-wrapped dresser and table in the foyer are meant to evoke the Breakers in Palm Beach, circa 1950s.

entry hall vertical

Senior Designer Price Connors created custom built-ins and mahogany topped cabinets for easy storage throughout the home, including hideaway space in the bright and airy bedrooms.

master bedroom

The color palette is crisp and clean, with most walls painted white or ivory with bright white trim. We added interest with pops of color, such as this nautical rope border!

close up navy border

Color continues into all the bedrooms, including this lilac-themed room!

bedroom vertical

And this blue beauty!

blue bedroomSignature colors were added to the kitchen with stools and bistro chairs handwoven in France.

kitchen vertical

There’s an oriental influence in the dining room, with a pagoda-shaped tole chandelier above the glass dining table.  Gothic backed rattan dining chairs and a rattan bar cart add a classic touch.

dining room

The patio and garden continue the colorful palette, offering another glorious space to enjoy  summer on Nantucket.

patio 2

 

In the Days of Sailors and Scrimshaw

Dujardin_Mantle

Scrimshaw is the beautiful art form first practiced beginning in 1749, in the days of whaling ships, wizened sea captains and hardy sailors.  Whaling was a dangerous undertaking and could never be attempted at night, leaving sailors with free time on their hands.  They used it for carving elaborate pictures, lettering and scrollwork on the bones and teeth of sperm whales and the tusks of walruses and other marine animals. The work they left behind is a treasured collectible today. The extremely rare white tortoiseshell shown above is an early nineteenth century British scrimshaw, displayed in my home in Madaket.  The whaler’s handwork details ships, whales and equipment used in the seafaring life.

 

antique scrimshaw poker chips

antique scrimshaw poker chips

John F. Kennedy was an avid scrimshaw collector, and brought it back into fashion when he displayed his 37 piece collection in the oval office in the 1960s.  Today scrimshaw artists (called scrimshanders) can work with eco-friendly or man-made materials, including cow bones, antlers and ostrich eggs.

 

This 18th Century scrimshaw is carved from a whale tooth.

It’s impossible to write about the beauty of scrimshaw, though, without first acknowledging the damage being done to tusked animals today by poaching.  Where once a ship would set sail with its sights on a whale, and then use every part of the animal for meat, energy and art, there was not an understanding that the seas were a finite resource.

sea turtles

A sea turtle was once plentiful enough that the people of the 18th and 19th centuries could hardly imagine that that creature or any other would be endangered, and in need of protection.  Today, though, we are seeing a rapid decline of animals with tusks and horns, often slaughtered for just those parts of their anatomy and left to decompose.  Although antique scrimshaw is available for purchase and collecting, strict laws are now in place for animal protection. Elephant ivory has been protected since 1976, and is prohibited from being shipped into the United States or practically any other country in the world.

 

Poaching continues, however. Rhinos are a threatened animal, under siege for their horns, used in Chinese medicine and particularly sought after in Vietnam.  Consumers use ground rhino powder as a health aid, although there is no supporting evidence that it has any impact. Poachers killed 668 rhinos in South Africa in 2012, a 50% increase over the previous year. The World Wildlife Fund estimates another 800 rhinos will die in 2013. To protect them, wildlife managers are injecting the horns of live rhinos with poison and permanent pink dye to make them useless to poachers.  Although the poison is not fatal, it will make anyone who consumes the powdered rhino horn ill with nausea and diarrhea.

 

Anna Merz, who died on April 4, 2013 in South Africa, started a reserve to protect her beloved black rhinos and became a global leader in the fight against their extinction.   She is shown in the photo above with the rhino she hand-raised as an orphaned baby, Samia.  Samia was devoted to Merz, and followed her everywhere, even trying to enter the house behind her before becoming stuck in the doorway.  When Samia gave birth to babies, she presented them to Merz like any proud mother.

Anti-poaching campaigns are underway worldwide, but more attention is needed to protect the earth’s precious resources.  Learn more about how you can help from The African Conservancy, World Wildlife Fund, or Stop Rhino Poaching.

Gardening with Nature

garden

Someone once said that a garden (and lawn, for that matter) has very little to do with nature.  A walk through the woods is proof that wild vegetation is opportunistic and provides only the toughest competitors with space, sunlight and nutrients.  By contrast, we fill our garden with tender annuals and plants that have gone through multiple hybridizations until they bear little resemblance to their original form. Add to that that we prefer our lawns and gardens weed free, carefully edged and mulched, and there’s a sharp divide between a wild meadow and suburban landscaping.

 

The real difference, however, is our dependence on chemical pesticides, herbicides and fungicides to keep our properties looking as nature never intended.  The best way to create a garden fit for children and pets is to make it a sanctuary for life:  bees buzzing through the flowers, trees brimming with nests and berries, and soft grass that’s safe for bare feet.

 

Lawn and garden chemicals are poisons to living things.  They pollute our water, harm wildlife and interrupt the delicate balance of our eco-system.  100 million pounds of lawn care chemicals are used by homeowners on their lawns every year.  These include chemicals that kill weeds, insects and a variety of plant diseases.  Many of these chemicals are linked to cancer, birth defects, and liver or kidney damage.  There is a way to have a healthy lawn and garden without resorting to chemicals, however.  Here are three simple steps you can take right away:

  • Healthy soil = healthy plants.  Good soil is alive, teeming with bacteria and organic content that is naturally resistant to pests and disease.  You can boost your soil’s health by spreading organic compost or alfa meal.
  • Use corn gluten as an organic fertilizer.  Organic fertilizers feed your lawn slowly; quick release chemical fertilizers encourage rapid growth that weakens the grass, promotes disease and leaches into nearby surface waters.
  • Tolerate a few weeds.  You can dig them out by hand if they bother you, or you can adopt the philosophy of “live and let live.”  A few weeds in the garden can also provide a home for beneficial insects, which keep the overall landscape in good health.

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Worried about fleas and ticks?  Here are four ways to combat these pests without toxic chemicals:

  • Use Natural Flea and Tick Controls on Your Companion Animals: Look for Buck Mountain Parasite Dust, available only through veterinarians and pet stores.  Its active insecticide is a chemical derived from the Neem tree, which is both a repellant and provides disinfectant and healing properties.  A favorite pet store is Earth Animal, which offers a three step process for natural flea and tick control.  Learn more here.
  • Reduce the tick habitat naturally:  Ticks like moist and shady areas, so let in more sunlight.  If there are many trees, it’s possible to thin their crowns to let more sunlight reach the ground.  Clearing away leaf debris (a favorite tick home) is important, as is cleaning up along stone walls and keeping them free of branches, weeds and other plant debris.
  • Establish a Tick Border: A Tick Border is a three to four foot wide woodchip border that is established between the woody edges of your property and your lawn.  Ticks are loath to cross the sunny, plant free zone.
  • Put up Deer Fencing to stop “tick buses:”  A single deer can be host to more than 200 ticks, so by removing their hosts, you reduce the number of ticks.

Here’s Where to Learn More

Earth

We’re all connected to each other and to every living thing.  The earth is one planet, with air and ocean currents that ignore international boundaries and continents that are impervious to lines drawn on a map.  On a much smaller level, the chemicals you use on your lawn and garden do not stay on your property.  It’s up to each one of us to research and find less-toxic solutions to our pest problems.  You can start here:

  • Integrated Pest Management:  IPM is an environmentally sensitive approach that suppresses pest populations and reduces use of pesticides.  It’s a safer means of controlling pests, with an emphasis on control, not eradication.  IPM holds that wiping out an entire pest population is impossible and environmentally unsafe.  Natural biological processes provide control with minimal environmental impact.  That may mean using beneficial insects that eat target pests, or biological insecticides, derived from nature. The EPA has more information:  read it here.
  • Bio-Integral Resource Center:  BIRC is a nonprofit organization that offers leadership in the development of IPM methods.  BIRC works with homeowners, farmers, cities, park and water districts, schools and pest control professionals in pesticide use reduction.  Visit their website here. 
  • Two books to add to your library:  Common Sense Pest Control, by William Olkowski and Sheila Daar, and Less Toxic Alternatives, by Carolyn Gorman.

 

 

Health Begins in the Kitchen

“The cure for what ails us both in our bodies and in our nation can be found in the kitchen. It is a place to rebuild community and connection, strengthen bonds with family and friends, teach life-giving skills to our children, enrich and nourish our bodies and our souls. Yet, in the twenty-first century, our kitchens (and our taste buds) have been hijacked by the food industry. In 1900 only 2 percent of meals were eaten outside of the home; today that number is over 50 percent.”

That quote comes from a brand new book, The Blood Sugar Solution Cookbook, by Mark Hyman, MD.  Dr. Hyman is a family physician, a four time New York Times bestselling author, and is a recognized leader in the field of Functional Medicine:  a way to empower people to stop managing symptoms and instead treat the underlying causes of illness.  He is responsible for coining the phrase “diabesity,” to describe an American population beset by weight gain, diabetes or pre-diabetes.

The right diet is not the same for everyone; for instance, I feel best when I follow a sugar-free, gluten-free, dairy-free diet, as espoused by Dr. Hyman in his new cookbook.  Although the regimen you follow may differ, what is clear is that we must give up on dependence on fat, sugar and salt pumped into factory-made foods.  Dr. Hyman encourages us to take back our kitchens, and our food, and start cooking real meals, made from real ingredients.  His cookbook, just released, offers wonderful recipes to help us do just that.

He tells us:  “We are brainwashed into thinking that cooking real food costs too much, is too hard, and takes too long. Hence, we rely on inexpensive convenience foods. But these aren’t so convenient when we become dependent on hundreds of dollars of medication a month, when we can’t work because we are sick and fat and sluggish, or when we feel so bad we can’t enjoy life anymore.”

Preparing a meal from scratch, by contrast, can be a chance to reconnect with our spouse, children or aged parents.  Sharing that meal can be a ceremony, a ritual, a mindful observance of what matters most in the midst of a hectic life.  That is what a kitchen is designed for, and is its ultimate and most meaningful purpose.

Another book I have found useful on my way to more healthful eating is Forks Over Knives, edited by Gene Stone, which proposes that most, if not all, degenerative diseases can be controlled, or even reversed, by rejecting animal-based and processed foods.  Forks Over Knives:  The Plant-Based Way to Health is a book, a cookbook, and a film available on DVD or Blu-ray.  You can learn more from the website and blog found at www.forksoverknives.com. 

There are other books, other cookbooks and other ways to preserve health, but there has been an overwhelming concensus from the nutrition and diet industry that fruits and vegetables are woefully lacking in our diets, and that increasing the amount we eat is the optimal path back to health.  Choosing organically-grown foods makes sense, as does eating animal protein as a condiment, not an entree, if you choose to retain meat in your diet.
An excellent source of organically-grown vegetables, if you live on Nantucket, is Pumpkin Pond Farm. This  9.5 acre farm and nursery located at 25 Millbrook Road owned by Marty McGowan is Eden-like oasis of color and flavor, offering a wide variety of delicious vegetables and greens.

 

My passion is helping my clients create beautiful and healthy homes, so I am often called upon to design extraordinary kitchens.  This is the place where nutritious, organic meals are prepared and enjoyed by family and friends, and so it is, truly,  the very heart of the home.

As Michael Pollan, author of The Omnivore’s Dilemma said, “Don’t eat anything your great-grandmother wouldn’t recognize as food.”  That’s good advice.  I intend to follow it.  I hope you do, too.

Basket Case

 

There is a special kind of beauty in handmade items, particularly those that have stood the test of time.  I have long been a collector of things old and venerable, and love the part I play in keeping and protecting them.  Perhaps it is the rushed nature of time in our lives today that draws so many of us to collectibles such as baskets,  created by people with physically harder days but longer empty hours.

 

 

The baskets I love are Nantucket Lightship baskets, crafted by the calloused hands of sailors, sea-toughened men whiling away wet and salt-sprayed hours on a ship that rolled and dipped with the pitch of the ocean beneath it.  The baskets that survive are precious now, perhaps all the more so because once they were not.

When they were new, they held bread and sewing and berries gathered from the hedge beside the cottage.  They were made by men who worked hard with their hands, and used by people who did the same.

Today, Lightship Baskets are a collectible treasure so valued on Nantucket Island that they have a museum dedicated to them. Located at 49 Union Street, the Nantucket Lightship Basket Museum is dedicated to the island’s rich history of basket making, as well as a nod to the history of the Lightships.

In the 19th Century, Lightships were sentinels stationed at dangerous off-shore shoals, warning others in the waters of treacherous shipwreck sites.  The first lightship was stationed at Nantucket’s South Shoal on June 15th, 1854.

Whale oil supplied the warning lamps in early years, seen at most at a distance of a few miles on a clear night, far less when the weather turned grey and stormy. Nantucket Lightship crewmen were basket makers for diversion from boredom, as well as a way to earn extra income.

It was after 1900 that work on the the baskets moved off ships and onto the island.  In the late 1940s, Jose Formoso Reyes, one of the foremost basket makers of his time, created the “Friendship Basket,” a cane woven basket with a lid and a carved ivory whale mounted on top.  It is the model for the popular handbags sold today.

In my many years as a Nantucket Islander, I have frequently found myself unable to resist these treasured baskets.  My collection was written about in a blog post that you can read at Connecticut Cottages & Gardens.

My Madaket living room; Lightship basket on table.  Photo courtesy of Terry Pommett

My kitchen in Connecticut, Lightship basket on island; photo courtesy of Durstan Saylor

Perhaps this post will inspire you to start a basket collection of your own, or to find the space to display with grace and reverence the ones you already own.  We are so blessed to live in a world where such treasures can be found.

 

Lightship basket collection displayed on built in shelves; photo courtesy of Terry Pommett

The World as Jinsey Dauk Sees It

Part Two in an Occasional Series on My Favorite Artists


If you’ve ever wondered what a bee sees when he’s buried deep within the folds of a flower, surrounded by color and bemused by fragrance, then you shouldn’t miss the fine art photography of Jinsey Dauk.   An artist with an eye for the smallest of sensuous details, Jinsey uses a camera to capture what’s most miraculous about life.  Then she presents her vision to all of us who are hurrying past a frisson of flowers or a riot of raindrops without really seeing them at all.

Jinsey’s love for photography began early. As a very young girl, when a friend of her mother’s became ill with leukemia, she picked up a Minolta camera for the first time to take pictures of the woman’s son.  An innate talent for seeing the world in striking detail was quickly apparent.  Jinsey captured the boy leaping with a basketball in his hands, sunlight in his eyes, and his mother posted the photos around her hospital room.  Soon visitors and friends were asking who took the photos, and her career began, first by taking black and white portraits of children for whom she babysat.

Fast forward a couple of decades.  Jinsey spent time working as a Ford and Elite model, then launched a career as a documentary-style wedding and portrait photographer, primarily in black and white, before turning her camera toward the beauty of nature in full, glorious color.

Once again, serendipity intervened in her life.  She began simply, by photographing flower arrangements on the sunlit windowsills of her Tribeca apartment to thank the friends who had sent them; before long, those friends were insisting she create large-scale art pieces and offer them for sale.  From that point, she branched out into shooting more than flowers, and she quickly gained a following.

Today, Jinsey’s work is available as metallic prints, without frames, pressed under a quarter inch of plexiglass.  Although many collectors prefer the large version, and collect them as diptychs, triptychs or quadtychs, (sometimes even as a series of six), Jinsey happily custom-sizes her pieces to fit a particular space in home, office or boutique hotels. She is also happy to work on commissioned pieces and will travel to photograph whatever a client chooses, whether it’s a beloved rose garden or another cherished item.

Using macro lenses and micro filters from the 1960’s and blending those techniques with today’s sophisticated digital photography is how she creates her work, but it doesn’t begin to explain her vision.  She describes her first foray into photographing flowers as a journey she undertook, albeit one with camera in hand.

“I traveled through those flowers and ferns and bouquets, traveled through a whole different universe.  Each turn of my focusing ring was escaping into another world,” she says.  “Photography changes me.  It’s a private experience.  I’m six foot one, but in this world I’m all scrunched down, into something the size of a thumbnail.  Every single one of my senses gets touched upon when I photograph something. I hope that viewers of my work will have the same experience.”

Jinsey grew up in Rowayton and Darien, Connecticut.  Her mother still lives in Darien,  in a matriarchal home owned first by her mother’s grandmother, then her mother’s mother, and now it belongs to her mother.  Jinsey’s photographs hang in rooms that overlook Long Island Sound, next to traditional, older oil paintings that have been in the family home since the turn of the last century.

“My art mixes so well with those old paintings,” Jinsey explains. Perhaps it’s the constantly shifting colors of the ocean outside the windows, or the way the light falls on the nature-infused colors of Jinsey’s work, but her photographs transcend a single definition.  She’s proud to see her work hang in offices and homes with many different styles.

Erika Del Priore, of Erika Del Priore Interiors, describes her work like this:  ” The colors, while bright, recede into the photo – pulling us in. Once in, colors and shadows reveal small nooks and passages that take us … I don’t know where, but it is warm and calm.”

Warm is the way to describe Jinsey, too.  She’s enthusiastic, outgoing and the kind of person you feel like you’ve known forever.  When renowned photojournalist Andre Kertesz said that “you don’t see things you photograph, you feel them,” he could have been talking about Jinsey. Jinsey says she is inspired by his work, as well as the black and white photographs of Henri Cartier-Bresson, Robert Doisneau and George Brassai; her color inspiration comes from Georgia O’Keeffe, Paul Gaugin, Henri Rousseau, and images from her own work.

Whoever’s work inspirits and inspires Jinsey, she’s always an artist who sees things her own way. Jinsey creates her pieces to embody the feeling of flow and fluidity, which is why she presents her work not only as individual pieces, but as a series.  According to a friend and client, her pieces create connections through “color, form, light, eyes and smiles.”  It’s the world as Jinsey sees it, and we’re lucky to share the view.

To contact Jinsey Dauk Fine Art Photography, call 212-243-0652, email Jinsey at info@JinseyArt.com, or visit her website at www.JinseyArt.com. An installation of 21 metallic fine art prints with rotating images is available for viewing in a beautiful Tribeca office space.  Call to schedule an appointment.  Scroll down for more of Jinsey’s work.


Celebrating the Twinkling Season

 

I love the holidays, and one of my favorite tasks of the year is creating festive interiors for my clients.  This is truly the twinkling season, and time for making magic in every room of the house.  In this home, featured in this month’s ONLY Nantucket Magazine, we used fresh greens for garlands and wreaths, dressed seven full-sized, themed trees matched to each room’s decor, and embellished with mistletoe and holly, little white lights and gauzy bows!

Come along with me and take a look at the little details that add up to a lot of holiday cheer.  I hope you’ll be inspired to create your own unforgettable winter charm!

A grand display of red roses in a clear crystal box is always eye-catching and elegant, especially when combined with candlelight.

Formal columns have become whimsical candy canes, white hydrangeas grace the cocktail table from John Boone, boxwood tucked into antique garden urns make a festive hearth.

A Christmas tree bedecked in gold and silver gleams in the corner of the music room.  Wreaths tied with gauzy pale green ribbon adorn each and every window, and exotic white and green fringed Parrot Tulips, unusual for Christmas, strike just the right note in the elegant gathering space.  The Rose Tarlowe ottoman is perfectly placed for guests to sit and enjoy a sing-along, underneath a chandelier graced with evergreens.

A rock crystal chandelier sparkles above a table with the spirit of the homeowners’ beloved Nantucket:  white hydrangeas and red winter branches are a celebration of the island’s simple beauty.  The mantle is gloriously layered with evergreens, ribbons and stars; a stocking hangs by the hearth, waiting for St. Nicholas.

The kitchen has another candy cane column for a punch of gaiety; glass hurricanes on the counter are filled with little crab and lady apples.  A five-tiered gift box cake is waiting for guests to arrive:  there’s a party planned this evening!

The stairwell leading to the master bedroom suite is a feast for the senses:  fragrant cedar, spruce and boxwood swags are wrapped in ribbons; a single silver ball dangles from the sumptuous crystal chandelier custom-designed by Dujardin Design Associates.

A delicious tray of holiday confections add the sweetness of sugar and spice to the homeowners’ celebration: this couple blends their backgrounds and heritage in style, embracing both Christmas and Hannukah.

Whatever holiday you embrace, make it your own season of abundance and grace!  And remember to make it merry.  If you’re on Nantucket, look for the December issue of ONLY Nantucket for more of this holiday home!

 

Autumn in Connecticut

photo courtesy of Michael Passarello

 Dear Readers,

This post was written before the devastation of Hurricane Sandy across the northeast.  The beauty of fall is one side of the story; storms and dangerous weather are also part of life in Connecticut, and throughout the world.  I invite you to join me in a look at the gentler side of Autumn, even as we keep those still without power or homes in our thoughts.  I’m making a donation to the Red Cross today.  I encourage you to do whatever you can to help restore our communities.

Autumn is such a beautiful season.  My friend Michael Passarello sent me some wonderful pictures he’s taken, and it inspired me to share the beauty of Connecticut with all of you. Come join me on a virtual walk through the countryside I love, and let’s enjoy the beauty of a Fall day together!

 

japanese maple leaves; photo courtesy of Michael Passarello

“Autumn is a second spring, where every leaf is a flower.”  –Albert Camus

autumn hydrangea; photo courtesy of Michael Passarello

“Autumn, the year’s last, loveliest smile.”–William Cullen Bryant

stewarthia; photo courtesy of Michael Passarello

“Autumn burned brightly, a running flame through the mountains, a torch flung to the trees.”  –Faith Baldwin

photo courtesy of Michael Passarello

“Autumn is the mellower season, and what we lose in flowers, we more than gain in fruits.”–Samuel Butler

photo courtesy of Michael Passarello

“The morns are meeker than they were, the nuts are getting brown; the berry’s cheek is plumper, the rose is out of town.  The maple wears a gayer scarf, the field a scarlet gown.  Lest I should be old-fashioned, I’ll put a trinket on.” –Emily Dickinsen

“Delicious autumn!  My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns.”–George Eliot

You can’t celebrate autumn without enjoying its wonderful foods.  My husband, Frank, makes a delicious pumpkin tart:  it’s gluten free, sugar free and lactose-free!

  Here’s the recipe.  We call it:

Frank’s Amazing Gluten-free, Lactose-free, Sugar-free Pumpkin Tart

(that makes its own crust!)

Do it all right in the blender!

First of all, all ingredients must be organic.  No pie crust needed – it makes its own thin crust – more like a souffle.

Place in blender:

  • 1 can 16 oz. organic pumpkin
  • 1 can or 13oz. either organic unsweetened evaporated milk or organic Rice Milk or Almond Milk (Amasake) – each one gives a different consistency
  • 2 organic eggs
  • 2 teaspoons organic vanilla extract
  • 2 teaspoons organic pumpkin pie s pice mix (or to taste)
  • 1/4 cup sugar OR 2 teaspoons local organic honey –which we prefer (or to taste)
  • 1/2 cup of organic rice flour

Heat oven to 350 degrees

Lightly butter a pie plate. (We use Earth Balance–an organic buttery spread that’s gluten-free, vegan, lactose-free, expeller-pressed oil)

Put all the above ingredients –except rice flour– in a blender.  Blend until smooth.  Gradually add 1/2 cup of organic rice flour to the blender mix until absorbed – can add more if consistency is too thin.  Pour into pie plate.  Bake until golden brown and knife inserted in center comes out clean, about 50 – 55 minutes.  Refrigerate any remaining pie.

Enjoy!

 

Photo credit:  Michael Passarello is a writer, photographer, greenhouse consultant and all around nice guy, living in the woods in North Stamford in Hedy Lamar’s old house.  You can reach Michael to inquire about his photographs at zylvert@gmail.com.

Thank you, Michael!

 

 

The Sea-Worthy Artwork of Michael Keane

Update to this post: Michael F. Keane, Jr. died unexpectedly on March 28, 2015. The following tribute comes from Quidley & Company Fine Art, a gallery that had been home to the artist and his artwork for many years.

“For the past three decades, Michael brought joy to those who viewed his artwork. His serene and luminous marine paintings portrayed the warmth of summer days spent sailing on Nantucket Sound. Keane had the remarkable ability to transport a viewer: to gaze at one of Michael’s beautiful and obviously lovingly wrought images is to imagine yourself cruising on the open sea–whether on a striped sail Beetle Cat or a majestic J-Class yacht–it’s the next best thing to actually being out there.” 

I hope you enjoy a look at some of Michael’s lovely, peaceful work. His contribution to the art world will never be forgotten. 

Rainbow Run

Part One in an Occasional Series on My Favorite Artists

I love the play of light on sand and sea on Nantucket Island.  It inspires artists here just as the light in the South of France has inspired so many of my favorite artists for centuries; the sunlight shimmers and sparkles in a way that is magical to observe, and I am in awe of those talented painters who can capture it on canvas.

Off Boston Harbor

One of those painters is famed marine artist Michael Keane.  A dear friend for years, and a fine arts painter for over half a century, Michael’s work is eagerly sought after by collectors.  His shows are an established tradition here on Nantucket, where people who love to sail and love the sea appreciate the special affinity he has for painting the world of waves and wind.

The Mighty Twelves

Truly a Renaissance man with so many interests and skills I can’t keep track of them all, Michael’s career as a painter was never pre-ordained.  When it was time for college, although he had painted since childhood, his father insisted he attend a teacher’s college instead of art school, hoping to see his son gainfully employed.  But Michael hated it, and he worked instead at a number of mundane and laborious jobs, including time spent in factories, as an auto mechanic and at a shipyard.

Determined to be an artist, though, he served an eight year apprenticeship with noted landscape painter, Edward Harrigan, and a four year apprenticeship with noted marine artist Marshall W. Joyce.  After that, he studied for four years, and then taught portraiture and figure painting with Clemente Micarelli in his studio.  He majored in Visual Design at UMass and afterward taught painting for 17 years.

Blue Horizon

His break into the art world came with a Best in Show award at a Duxbury, Massachusetts art show.  The painting entered there began a new life for Michael, at a time when he desperately needed it.  In poor health from a rheumatic illness, he was unable to summon the strength to continue his physically demanding day job.

He went to his favorite place on Duxbury Beach, and as he describes it, “Everything was going all wrong.  As I stood there, the sky turned black, and it started to hail and rain.  As I looked across the sea, all of a sudden the light broke through.  It raced across the land in a splash of color.  I knew this was a transcendent moment; I felt I was being told to ‘paint this.’”

The Squall at Gurnet Head

He did quick color notes, which became the inspiration for his painting The Squall at Gurnet Head.  After that, things turned sharply around. Everything he painted flew off the wall.  “It was providential,” he says.  “It all happened when things couldn’t get any lower; it felt like a dream.  Things happened the way they needed to happen, when they needed to happen.”

A Twilight Sail

In explaining his creative process, Michael says he loses all sense of time and space when he works.  “I once did a big painting in less than a week—I felt like I didn’t paint it.  I held the brush, and the brush just went.  As an artist, I’m wide open to what I’m receiving.  It’s a sensitive thing.”

Off Nantucket

People have always been drawn to his work, and although he doesn’t understand all the reasons, he thinks it may be related to the reason that he paints.  “Art should elevate life,” he says.  “That’s the whole point of it.  Fine art should express higher ideals.  We get enough in life to pull us down, art should lift us up.

“Like good music, art lifts you, it changes you, it alters your state of consciousness,” he continues.  “That’s what exhilaration is.”

The Last Trap

Everyone who knows Michael, who loves his work, and who buys his paintings, tells him the same thing.  “They tell me they look at the sky now—they say, ‘you made me look at the sky.’”

I can’t imagine a higher elevation for art, or an artist, than that.

“There is one spectacle grander than the sea, that is the sky.” –Victor Hugo

You can find Michael Keane’s artwork at Quidley and Co. Galleries in Boston and Nantucket, Massachusetts, and at Russell Jinishian Galleries in Fairfield, Connecticut.

 

 

 

 

 

 

 

 

 

 

“I Send Thee a Shell from the Ocean-Beach”

Clients often ask me where I get my inspiration for the colors and textures for the rooms I design.  The world outside my door is a constant source of inspiration, especially the sea. (Read an earlier post on my color inspiration here.) I also love to read, and my library is full of beautifully illustrated books that fill my hands and my heart when I can’t be on my beloved Nantucket.

It’s no secret that I have always loved seashells; the logo for my company is a Nautilus shell, a beautiful example of what is called a golden spiral (also known as a logarithmic spiral).   Choosing the Nautilus shell was not accidental:  it perfectly represents a profession where proportion and balance are key to achieving a pleasing design.  We may not need to understand the science behind a masterfully (and mathematically) balanced design, but we are naturally drawn to elegant and balanced compositions, repeatedly found in nature.

This is a close-up photograph of a spiral palm leaf.

The concept of what makes the proportions of the chambers of a Nautilus shell so beautiful is explained by something called The Fibronacci series, often referred to as nature’s numbering system.  It is displayed to perfect effect in the bracts of a pinecone, the heart of a sunflower, the scales of a pineapple, a grain of wheat, a hive of bees, the spiral palm, and even in the proportions of the human body. Leonardo Da Vinci portrayed this concept with his sketch of Vitruvian Man.

 

Many architects and artists have proportioned their work according to geometric principles known as the golden rectangle, the golden mean and the golden ratio, aesthetically pleasing proportions found over and over again in nature, in stems of plants and veins in leaves, and of course, in seashells such as the Nautilus.

In a golden rectangle, the smaller rectangle is the same shape as the larger rectangle, in other words, their sides are proportional. The curved design of the chambered nautilus shell and the ratios between each of the spirals reveal the fascinating connection between nature, geometry and architecture.  Read more here.

Each single shell represents the world of nature’s intricate and mysterious designs, and is a work of art in itself. It is no wonder their shapes are frequently mirrored in our homes and lasting pieces of architecture.

I frequently place shells where they can be seen and admired, especially in beachside homes. In case you’re looking for a little inspiration yourself, here are two seashell books you might find on my coffee table if you were to visit:

 

 

The World’s Most Beautiful Seashells won the Coffee Table Book Award of the National Association of Independent Publishers for 1996. Filled with stunning pictures by photographer James H. (Pete) Carmichael, who is especially well-known for his work with shells, butterflies, and rainforests, the wonderfully-written text is by Leonard Hill, a lifetime shell enthusiast, and a biologist employed by the US government who monitors the health of the oceans.

 

If you’ve ever come home from the beach with a pocket full of seashells, then this book was written just for you! Written by Marlene Hurley Marshall,  it’s filled with inspiring ideas of all the wonderful things you can do with your beachy treasures. Frames, chandeliers,  boxes, mirrors:  they can all be enhanced with memories of your time spent seaside.

 

“I send thee a shell from the ocean-beach;
But listen thou well, for my shell hath speech.
Hold to thine ear
And plain thou’lt hear
Tales of ships.”

Source, Listening to seashells
Charles Henry Webb, With a Nantucket Shell, reported in Bartlett’s Familiar Quotations, 10th ed. (1919).