Basket Case

 

There is a special kind of beauty in handmade items, particularly those that have stood the test of time.  I have long been a collector of things old and venerable, and love the part I play in keeping and protecting them.  Perhaps it is the rushed nature of time in our lives today that draws so many of us to collectibles such as baskets,  created by people with physically harder days but longer empty hours.

 

 

The baskets I love are Nantucket Lightship baskets, crafted by the calloused hands of sailors, sea-toughened men whiling away wet and salt-sprayed hours on a ship that rolled and dipped with the pitch of the ocean beneath it.  The baskets that survive are precious now, perhaps all the more so because once they were not.

When they were new, they held bread and sewing and berries gathered from the hedge beside the cottage.  They were made by men who worked hard with their hands, and used by people who did the same.

Today, Lightship Baskets are a collectible treasure so valued on Nantucket Island that they have a museum dedicated to them. Located at 49 Union Street, the Nantucket Lightship Basket Museum is dedicated to the island’s rich history of basket making, as well as a nod to the history of the Lightships.

In the 19th Century, Lightships were sentinels stationed at dangerous off-shore shoals, warning others in the waters of treacherous shipwreck sites.  The first lightship was stationed at Nantucket’s South Shoal on June 15th, 1854.

Whale oil supplied the warning lamps in early years, seen at most at a distance of a few miles on a clear night, far less when the weather turned grey and stormy. Nantucket Lightship crewmen were basket makers for diversion from boredom, as well as a way to earn extra income.

It was after 1900 that work on the the baskets moved off ships and onto the island.  In the late 1940s, Jose Formoso Reyes, one of the foremost basket makers of his time, created the “Friendship Basket,” a cane woven basket with a lid and a carved ivory whale mounted on top.  It is the model for the popular handbags sold today.

In my many years as a Nantucket Islander, I have frequently found myself unable to resist these treasured baskets.  My collection was written about in a blog post that you can read at Connecticut Cottages & Gardens.

My Madaket living room; Lightship basket on table.  Photo courtesy of Terry Pommett

My kitchen in Connecticut, Lightship basket on island; photo courtesy of Durstan Saylor

Perhaps this post will inspire you to start a basket collection of your own, or to find the space to display with grace and reverence the ones you already own.  We are so blessed to live in a world where such treasures can be found.

 

Lightship basket collection displayed on built in shelves; photo courtesy of Terry Pommett

The Union Street Inn

 

If you wander down the cobblestone streets of “faraway island” (as named by the Native Americans), you’ll soon find yourself at the door of Nantucket’s Union Street Inn.   Ken and Deborah Withrow are the experienced hoteliers who own this intimate boutique hotel, and make it the warm and welcoming place that it is.  It was my pleasure to design its public spaces and private rooms several years ago.  The circa 1770 Inn’s many fireplaces and historic town views provide the perfect setting for beautiful antiques and luxuriously duvet-covered beds, authentic period details and fine marine art, all signatures of Dujardin style. Come along with me and and experience the distinctive charm that makes the Union Street Inn one of my favorite places in the world.

What do guests dream about after a stay with Ken and Deborah?  Deborah’s homemade gourmet breakfasts top the list.  French toast, blueberry buttermilk pancakes, poached eggs and sausage greet you in the morning, and home-baked white chocolate chip cookies or double chocolate brownies tempt you in the afternoon.

 

The Union Street Inn is the only B&B on the island to serve a full breakfast. There’s a home cooked entree every morning.  Deborah is a fabulous chef!

 

Best place for breakfast and a cup of coffee on a warm summer morning?  The patio.

 

There are twelve guest rooms, all beautifully outfitted for your comfort.  The couple describes the Inn’s elegant feeling as “New England by way of France.”

Guests who return every year call it romantic.

The authentic period ambiance makes you feel as if you’ve stepped back in time, but each of the guest rooms offers flat screen tv, complimentary wi-fi, private baths and air conditioning on warm summer days.  It’s the best of old and new.

After a day of sand, sun and surf, each elegant room promises a quiet night’s rest, so you’re ready for the next day’s island adventure.

Ken and Deborah utilize their shared backgrounds in hotel management to create an exquisite experience for their guests.  The Inn’s town location means it is only steps away from world-class restaurants, museums and shops. The town’s grey-shingled buildings were built to withstand seaside weather; they create a unique island look you won’t see anywhere else.

The Union Street Inn is the recipient of “Best Of” awards from Boston magazine (2006) and Cape Cod Life (2006-2010), as well as a “Fodor’s Choice Award” from Fodor’s Travel (2008-2010).  The rare beauty of “faraway island,” complete with skippers piloting their boats past lighthouses and rows of ship captain’s houses lining the streets a stone’s throw from wharf and waterfront makes a trip to Nantucket a memorable one.  A stay at the Union Street Inn makes it unforgettable. Visit the inn at www.unioninn.com.

 

The Sea-Worthy Artwork of Michael Keane

Update to this post: Michael F. Keane, Jr. died unexpectedly on March 28, 2015. The following tribute comes from Quidley & Company Fine Art, a gallery that had been home to the artist and his artwork for many years.

“For the past three decades, Michael brought joy to those who viewed his artwork. His serene and luminous marine paintings portrayed the warmth of summer days spent sailing on Nantucket Sound. Keane had the remarkable ability to transport a viewer: to gaze at one of Michael’s beautiful and obviously lovingly wrought images is to imagine yourself cruising on the open sea–whether on a striped sail Beetle Cat or a majestic J-Class yacht–it’s the next best thing to actually being out there.” 

I hope you enjoy a look at some of Michael’s lovely, peaceful work. His contribution to the art world will never be forgotten. 

Rainbow Run

Part One in an Occasional Series on My Favorite Artists

I love the play of light on sand and sea on Nantucket Island.  It inspires artists here just as the light in the South of France has inspired so many of my favorite artists for centuries; the sunlight shimmers and sparkles in a way that is magical to observe, and I am in awe of those talented painters who can capture it on canvas.

Off Boston Harbor

One of those painters is famed marine artist Michael Keane.  A dear friend for years, and a fine arts painter for over half a century, Michael’s work is eagerly sought after by collectors.  His shows are an established tradition here on Nantucket, where people who love to sail and love the sea appreciate the special affinity he has for painting the world of waves and wind.

The Mighty Twelves

Truly a Renaissance man with so many interests and skills I can’t keep track of them all, Michael’s career as a painter was never pre-ordained.  When it was time for college, although he had painted since childhood, his father insisted he attend a teacher’s college instead of art school, hoping to see his son gainfully employed.  But Michael hated it, and he worked instead at a number of mundane and laborious jobs, including time spent in factories, as an auto mechanic and at a shipyard.

Determined to be an artist, though, he served an eight year apprenticeship with noted landscape painter, Edward Harrigan, and a four year apprenticeship with noted marine artist Marshall W. Joyce.  After that, he studied for four years, and then taught portraiture and figure painting with Clemente Micarelli in his studio.  He majored in Visual Design at UMass and afterward taught painting for 17 years.

Blue Horizon

His break into the art world came with a Best in Show award at a Duxbury, Massachusetts art show.  The painting entered there began a new life for Michael, at a time when he desperately needed it.  In poor health from a rheumatic illness, he was unable to summon the strength to continue his physically demanding day job.

He went to his favorite place on Duxbury Beach, and as he describes it, “Everything was going all wrong.  As I stood there, the sky turned black, and it started to hail and rain.  As I looked across the sea, all of a sudden the light broke through.  It raced across the land in a splash of color.  I knew this was a transcendent moment; I felt I was being told to ‘paint this.’”

The Squall at Gurnet Head

He did quick color notes, which became the inspiration for his painting The Squall at Gurnet Head.  After that, things turned sharply around. Everything he painted flew off the wall.  “It was providential,” he says.  “It all happened when things couldn’t get any lower; it felt like a dream.  Things happened the way they needed to happen, when they needed to happen.”

A Twilight Sail

In explaining his creative process, Michael says he loses all sense of time and space when he works.  “I once did a big painting in less than a week—I felt like I didn’t paint it.  I held the brush, and the brush just went.  As an artist, I’m wide open to what I’m receiving.  It’s a sensitive thing.”

Off Nantucket

People have always been drawn to his work, and although he doesn’t understand all the reasons, he thinks it may be related to the reason that he paints.  “Art should elevate life,” he says.  “That’s the whole point of it.  Fine art should express higher ideals.  We get enough in life to pull us down, art should lift us up.

“Like good music, art lifts you, it changes you, it alters your state of consciousness,” he continues.  “That’s what exhilaration is.”

The Last Trap

Everyone who knows Michael, who loves his work, and who buys his paintings, tells him the same thing.  “They tell me they look at the sky now—they say, ‘you made me look at the sky.’”

I can’t imagine a higher elevation for art, or an artist, than that.

“There is one spectacle grander than the sea, that is the sky.” –Victor Hugo

You can find Michael Keane’s artwork at Quidley and Co. Galleries in Boston and Nantucket, Massachusetts, and at Russell Jinishian Galleries in Fairfield, Connecticut.

 

 

 

 

 

 

 

 

 

 

Living an Artful Life

Twelve Meter Cup Contenders by Michael Keane

Art has always been important to me.  I began my studies in Fine Art, graduated from college with a degree in Art Education, and first embarked on a career as an art teacher.  The homes I design must include space for beautiful and significant pieces of artwork, integral to creating an elegant and welcoming interior.

There is nothing like wandering through a gallery to develop an eye for what you love, and really, that’s what collecting art is all about. I have several galleries I turn to again and again for their solid judgement and ability to curate a collection of breathtaking work with emotional resonance.Two of my favorites are Quidley and Co., and Cavalier Galleries.

Quidley and Co has two locations:  one in Boston, and one in Nantucket at 26 Main Street.  Known for their ability to cater to their clients’ unique tastes, they offer a selection of master artists’ work from the United States and Europe and pride themselves on assisting their customers in acquiring and maintaining a fine collection.

Marine artist Michael Keane’s work is represented by Quidley and Co.  Here are two of his paintings currently offered at the gallery, in addition to the work at the top of this post.

Miacomet by Michael Keane

Great Point Lighthouse by Michael Keane

Forrest Rodts is another artist whose work I admire, available through  Quidley and Co.  His seascapes and illustrations capture the sunsets, seascapes and skies of New England.

Doug Brega is a contemporary artist who paints in the style of American realism.  His New England portraits and landscapes have a wondrous visual and emotional impact.  Here are a few from his collection at Quidley and Co.:

Another favorite artist there is Sergio Roffo, whose work Madaket Mist appears at the top of this post.  Roffo’s coastal landscapes have a luminous feeling that have earned him numerous awards.

Another favorite gallery is Cavalier Galleries, with locations in Greenwich, Connecticut and on Nantucket, at 35 Main Street.  Cavalier offers fine painting, sculpture and photography, and a stable of artists whose works range from traditional and representational to modern and contemporary.

Wolf Kahn is a favorite artist found at Cavalier. One of the most important colorists working in America today, the German-born Kahn demonstrates a unique blend of Realism and the formal discipline of Color Field painting.

Whether you visit Quidley and Co., Cavalier or another gallery in your hometown, there’s no substitute for the serenity, beauty and inspiration you’ll find just inside their doors. I hope you’ll be moved to purchase artwork you love, and join the collectors who support the work of fine artists.  Life, and home, would be a poorer place without them.

 

“I Send Thee a Shell from the Ocean-Beach”

Clients often ask me where I get my inspiration for the colors and textures for the rooms I design.  The world outside my door is a constant source of inspiration, especially the sea. (Read an earlier post on my color inspiration here.) I also love to read, and my library is full of beautifully illustrated books that fill my hands and my heart when I can’t be on my beloved Nantucket.

It’s no secret that I have always loved seashells; the logo for my company is a Nautilus shell, a beautiful example of what is called a golden spiral (also known as a logarithmic spiral).   Choosing the Nautilus shell was not accidental:  it perfectly represents a profession where proportion and balance are key to achieving a pleasing design.  We may not need to understand the science behind a masterfully (and mathematically) balanced design, but we are naturally drawn to elegant and balanced compositions, repeatedly found in nature.

This is a close-up photograph of a spiral palm leaf.

The concept of what makes the proportions of the chambers of a Nautilus shell so beautiful is explained by something called The Fibronacci series, often referred to as nature’s numbering system.  It is displayed to perfect effect in the bracts of a pinecone, the heart of a sunflower, the scales of a pineapple, a grain of wheat, a hive of bees, the spiral palm, and even in the proportions of the human body. Leonardo Da Vinci portrayed this concept with his sketch of Vitruvian Man.

 

Many architects and artists have proportioned their work according to geometric principles known as the golden rectangle, the golden mean and the golden ratio, aesthetically pleasing proportions found over and over again in nature, in stems of plants and veins in leaves, and of course, in seashells such as the Nautilus.

In a golden rectangle, the smaller rectangle is the same shape as the larger rectangle, in other words, their sides are proportional. The curved design of the chambered nautilus shell and the ratios between each of the spirals reveal the fascinating connection between nature, geometry and architecture.  Read more here.

Each single shell represents the world of nature’s intricate and mysterious designs, and is a work of art in itself. It is no wonder their shapes are frequently mirrored in our homes and lasting pieces of architecture.

I frequently place shells where they can be seen and admired, especially in beachside homes. In case you’re looking for a little inspiration yourself, here are two seashell books you might find on my coffee table if you were to visit:

 

 

The World’s Most Beautiful Seashells won the Coffee Table Book Award of the National Association of Independent Publishers for 1996. Filled with stunning pictures by photographer James H. (Pete) Carmichael, who is especially well-known for his work with shells, butterflies, and rainforests, the wonderfully-written text is by Leonard Hill, a lifetime shell enthusiast, and a biologist employed by the US government who monitors the health of the oceans.

 

If you’ve ever come home from the beach with a pocket full of seashells, then this book was written just for you! Written by Marlene Hurley Marshall,  it’s filled with inspiring ideas of all the wonderful things you can do with your beachy treasures. Frames, chandeliers,  boxes, mirrors:  they can all be enhanced with memories of your time spent seaside.

 

“I send thee a shell from the ocean-beach;
But listen thou well, for my shell hath speech.
Hold to thine ear
And plain thou’lt hear
Tales of ships.”

Source, Listening to seashells
Charles Henry Webb, With a Nantucket Shell, reported in Bartlett’s Familiar Quotations, 10th ed. (1919).

The Most Powerful Weapon on Earth to Fight Climate Change

“The most powerful weapon on earth is the human soul on fire.”
– Marshal Ferdinand Foch

In Fall 2011, I attended the Design Futures Council’s Leadership Summit on Sustainable Design, and was impressed by the number of thoughtful, committed architects, designers and builders who are determined to create a more sustainable future in American cities.  At the Summit, our mantra was “you must stand for something, or you will fall for everything.  Never has this been more true than in addressing the risks of climate change, and identifying ways to counteract this dangerous warming of our earth.

I have long been a believer in the “power of one,” the power of each individual to stand up, speak out, and make a difference.  Now is the time to do so.

Summer 2012 has been a dangerous season for heat, drought and wildfires, exemplified by the blazes that scorched parts of Colorado and blackened hundreds of thousands of acres of New Mexico wilderness.  The August issue of Food, Nutrition & Science called this summer’s dry heat the worst American drought in nearly 50 years. Corn crops have been hit particularly hard; their decimation reminds us how fragile our environment really is.

Missouri has been hit hard by drought, as seen in this withered stand of corn.

(For an excellent discussion of the perils of wildfires throughout the U.S., read Timothy Egan’s opinion piece from July 2012 in the New York Times here.)

Even on the island of Nantucket, fire walls are being built, and the Nantucket Conservation Foundation is working on a Wildfire Risk Reduction Program, including brush cutting firebreaks and scheduling prescribed burnings.  The goal of this effort is to identify land management strategies that will reduce “fuel loads” of highly flammable vegetation on Foundation properties, especially where they occur in close proximity to homes.

Photo courtesy of Jim Lentowski and the Nantucket Conservation Foundation.

In a world where people still debate the concepts of climate change and global warming, in spite of overwhelming evidence of steadily increasing temperatures, I turn to James E. Hansen, the director of NASA’s Goddard Institute for Space Studies (GISS) for a clear-eyed view of our future.  A member of the National Academy of Sciences, he received the Heinz Environment Award in 2001 for his climate research. Research at the NASA Goddard Institute for Space Studies (GISS) emphasizes a broad study of global change, addressing natural and man-made changes in our environment — from one-time events such as volcanic explosions, to seasonal and annual effects such as El Niño, and on up to the millennia of ice ages — that affect the habitability of our planet.

 

In an opinion piece he wrote for the Washington Post on August 3, 2012, (Climate Change Is Here, and Worse Than We Thought), Hansen discusses a new analysis of the past six decades of global temperatures, which reveal a stunning increase in the frequency of extremely hot summers.  He is emphatic that the analysis shows that for the extreme hot weather of the recent past, there is no explanation other than climate change.

On June 20, 2012, BusinessInsider.com published a list of 23 ways the earth has changed in the 20 years since the first “Earth Summit” was held in Rio de Janeiro.  (Read more here.)  Among the trends they’ve identified are:

  • There are about 1.5 billion more people in the world, an increase of 27%
  • The average person eats 20 pounds more meat each year.
  • Carbon dioxide emissions increased 36%, from 22 billion tons to 30 billion tons.
  • The ten hottest years since records began in 1880 all occurred since 1998.
  • Artic sea ice has declined 35%.

Who’s Taking Action?

A movement called Architecture 2030 is underway, driving a national grassroots movement to foster private/public partnerships to create sustainable urban growth.  The 2030 District Model brings property owners together with local governments, businesses, architects and planners to provide a solid business model for urban sustainability.  First established in Seattle, today more cities are joining the effort.  This month, Pittsburgh joined Cleveland and Seattle by launching a Pittsburgh 2030 District.

2030’s mission is to rapidly transform the U.S. and global Building Sector from the major contributor of greenhouse gas emissions to a central part of the solution to the climate change, energy consumption, and economic crises. Architecture 2030’s Edward Mazria will deliver a lecture titled “The Next Built Environment, Today” on Monday September 10th at Carnegie Mellon University.  Read more about the movement here.

What Can You Do to Help?

The scope of our activities that generate carbon dioxide emissions are great, including driving our cars, turning on a light, and heating or cooling our homes.  But you can make a difference by taking action:

  • Plan your errands to make fewer short car trips.  Cars emit the most carbon dioxide when the engine is cold.
  • Properly inflate your car tires to prevent excess fuel consumption.
  • Turn down the heat or air conditioning a fraction.  Even moving the thermostat up or down a degree or two can make a huge difference.
  • Recycle whatever you can.
  • Take shorter showers.
  • Switch off appliances not in use at the wall.  Anything connected to an energy source uses standby power that can consume unnecessary energy.
  • Before buying anything, ask yourself, “do I really need this?”  Rampant consumerism plays a huge role in carbon emissions.

Look for more ways to help, by visiting Carbonify.com or livestrong.com.

As James Hansen says, “This is the world we have changed, and now we have to live in it…There is still time to act and avoid a worsening climate, but we are wasting precious time…The future is now.  And it is hot.”

 

 

 

 

 

 

 

Color Inspiration: Shades of the Sea

“The rushing of the sea–tides of the soul; And inspirations, that we deem our own.”

–Henry Wadsworth Longfellow

If you have ever faced the ocean and known bliss in that moment when the horizon blends into the water, and all you see about you are shades of blue and cream, luminous gold and palest rose, then the sea may just be your color inspiration, as it is mine.  I have always been inspired by nature:  my muse is found in the dappled quiet of forest paths, the brilliant sunrise shedding gold on fields of flowers, and the buttermilk sky when clouds are gathering.  But always and forever, I have turned to the sea.

photo: Rob Berkley

I want to share with you some of my favorite scenes and colors, found in the wildly tossing ocean waves, as well as the gently muted tones of the sea glass I find later on the sand.  This is my world of color inspiration.  Come take a look with me!

photo:  Terry Pommett

There are hundreds of shades of blue.  They can change whether a room is lit by sunlight or candlelight.

photo:  Terry Pommett

photo:  Terry Pommett

Green is the essence of serenity, especially when combined with milky white.  It makes a bedroom such a restful space.

 

photo:  Erik Rank

Glass tiles can gracefully recall seaside blues and greys, and the fluidity of water.

photo:  Terry Pommett

The white of sand, the blue of sky, and ocean views from uncovered windows combine to make this room an inviting respite from the world.

 

photo:  Michael Partenio

Sometimes color is the merest whisper, yet is always powerful.  Whites can be soft oatmeal or shimmery mother of pearl, pinks are romantic or playful, greens are apple or sage, blues are nostalgic and faded or bold and lustrous.

 

There are so many breathless moments I’ve spent at the shore, with the wind in my face.  The cold splash of waves awakens me to the vibrancy of life, and suddenly I know a bold cobalt is the perfect counterpoint to purest white.  A room comes together in my mind.

photo:  Terry Pommett

Books are another beloved source of inspiration for me.  One of my favorites is simply called Waves by Steve Hawk.  His photographs bring me back to the beaches I love, even when I’m far away.  You can almost hear sea gulls with every turn of the page.

 

The Green on Nantucket

 

Nantucket Island abounds with beautiful beaches, charming cottages, incredible inns and fabulous food.  Picking a favorite anything is almost impossible here, but there are a few places that I return to again and again.

The Green Restaurant at 6 West Creek Road is one of those special places.

 

I’m a firm believer that food should both taste good and make you feel good, and every time I go to the Green I am reminded that they believe that, too.  They offer healthy, organic and naturally delicious dishes, such as cranberry walnut chicken salad with scallions, baby arugula and brown rice.

 

Or crumbled goat cheese with sliced fresh strawberries, candied pecans, sliced avocado, balsamic vinaigrette, arugula and brown rice.

 

There are vegan cookies, such as oatmeal cranberry, or a vegan flourless chocolate raspberry pie.  I’m getting hungry just thinking about them!

 

Open for breakfast and lunch, some people say they have the best coffee and bagels on the island.  You can get everything fresh:  fresh smoothies, fresh juice from their juice bar, and other healthy offerings such as shots of wheat grass to boost your immune system.  If you’re off to the beach for the day, they’ll pack you a custom lunch bag full of goodies.

 

It’s a great place to go for healthy food you’ll love—the kind of food that loves you right back.

 

 

The Timeless Elegance of Antiques

 

One of the most highly regarded antiques show on the east coast is taking place on Nantucket from August 3rd to 6th.  A benefit for the Nantucket Historical Association, the show is a highlight of the island’s summer season! This year, their 35th, will be a wonderful week of parties, lectures and activities. Read more about it here.

It all starts with the Preview on August 2nd, and continues through Monday, August 6th at Bartlett Farm, 33 Bartlett Farm Road.  Don’t miss it!

 

 

Mark Tercek of The Nature Conservancy to Speak at The Sconset Chapel

I hope you’ll join me on Sunday, August 5th at 7:30 p.m. when Mark Tercek, president and CEO of The Nature Conservancy, makes a visit to Nantucket to speak at The Sconset Chapel as part of their Siasconset Chapel Sunday summer lecture and concert series..  Mr. Tercek will reflect on conservation in the 21st Century, and what it will take to protect nature in a rapidly changing world. 

This former managing director of Goldman Sachs Group Inc. spent more than two decades on Wall Street before joining The Nature Conservancy.  Now, with the help of his board and the input of the Conservancy’s 600 scientists, he wants to remake the face of the American and global environmental movements.

Admission is free. I’ll be there–hope to see you there, too!

Read more about Mark Tercek here

To find out more about what the Nature Conservancy is doing to help the Commonwealth of Massachusetts, read their Spring/Summer 2012 newsletter here.

Guest Blogger Michael May: Summer Kitchens House Tour and August Fete

Please join me and Michael May, executive director of the Nantucket Preservation Trust, in celebrating Nantucket’s architectural heritage at the NPT’s Summer Kitchens House Tour and August Fete!

 

The interior of 4 Traders Lane, open for the July 19 Kitchens Tour, NPT easement; photo by Kris Kinsley

 

SUMMER KITCHENS HOUSE TOUR

The Nantucket Preservation Trust (NPT) encourages preservation activity by showcasing the work of others. One way we do this is by organizing special house tours, including our annual Summer Kitchens House Tour and August Fete.  This year Pine Street is the site of the NPT’s Eighth Annual Summer Kitchens House Tour which will be held on Thursday, July 19, 2012 from 10:00 a.m. to 4:00 p.m.  The tour provides the opportunity to view a wide array of kitchens—from a retro 1950s kitchen to one that is very twenty-first century.

 

Retro 1940’s kitchen at 4 Traders Lane; photo by Kris Kinsley

Tour goers can view the properties at their own pace, and along the way will be offered treats prepared by local chefs.  They will also have an opportunity to shop at the Kitchen Marketplace for unique gifts and kitchen items.

 

AUGUST FETE

August 9 is the date of the NPT’s August Fête– one of the summer’s most memorable evenings, because it is more than a party—it is a celebration of Nantucket’s historic architecture.  This year, participants will tour five historic summer homes in the village of ’Sconset and learn some preservation pointers along the way.  There also will be a special tour of the restoration work at the Siasconset Union Chapel.

Embroidered Narrative by local artist Susan Boardman to be auctioned on August 9 to support NPT programs; photo by Jack Weinhold

For ticket information on both events or to learn more about the work of the Nantucket Preservation Trust visit our website.

Guest Blogger Michael May is the executive director of the Nantucket Preservation Trust